Reba McEntire Delivers Emotional In Memoriam Performance at the 2026 Grammy Awards

The Grammy Awards are a celebration of where music is headed — but also a time to remember where it’s been. At this year’s ceremony, amidst historic nominations and headline-making performances, the Recording Academy paused for a poignant moment of reflection with an In Memoriam segment led by country music icon Reba McEntire.

Making history of her own, Bad Bunny became the first Spanish-language artist to receive nominations for Album of the Year, Record of the Year, and Song of the Year. As he prepares to headline next week’s Super Bowl LX Halftime Show, the 2026 Grammys also showcased performances from Lady Gaga, Sabrina Carpenter, and more. But it was the solemn In Memoriam segment that delivered the night’s deepest emotional impact.

Honoring the Legends We Lost

2025 was a challenging year for the music world, marked by the loss of several legendary figures:

  • Ozzy Osbourne – The “Godfather of Metal,” who passed away at age 76 in July, just 17 days after his final performance with Black Sabbath.
  • D’Angelo – The neo-soul pioneer and four-time Grammy winner who died of pancreatic cancer at 51 in October.
  • Roberta Flack – Five-time Grammy-winning genre-blender who passed away in February at 86.

Each received individual tributes that honored their profound impact on music across genres. But the broader remembrance came through a heartfelt performance by Reba McEntire — her first-ever Grammy performance despite 18 nominations and 3 wins over the years.

A First Performance Marked by Loss

Joined by fellow nominees Brandy Clark and Lukas Nelson, Reba performed a moving rendition of “Trailblazer,” her Grammy-nominated collaboration with Miranda Lambert and Lainey Wilson. As the trio traded verses, the screen behind them displayed the faces of those the industry lost in the past year.

The tribute included:

  • Raul Malo – Lead singer of The Mavericks, who died in December at age 60 after a battle with colon cancer.
  • Brett James – Acclaimed songwriter behind hits like “Jesus, Take the Wheel,” who tragically died in a plane crash in September alongside his wife and stepdaughter.
  • Ace Frehley – Founding guitarist of KISS, remembered for his larger-than-life performances, who passed away in October.

The Legacy of In Memoriam

The In Memoriam segment has become a powerful annual tradition since it was first introduced at the 45th Grammy Awards in 2003. That year, Bruce Springsteen, Elvis Costello, Dave Grohl, Steven Van Zandt, Pete Thomas, and No Doubt’s Tony Kanal paid tribute to Joe Strummer, the late frontman of The Clash.

Since then, the segment has honored artists, engineers, producers, executives, and industry visionaries whose contributions helped shape the music we know today. This year’s tribute continued that tradition with a stirring mix of music, memory, and reverence.

While the Grammys celebrate the living legends and rising stars, it’s in these quiet, reflective moments that the event reminds us of music’s enduring soul — shaped not only by who’s here now, but by those we’ll never forget.

 

You Missed

CHET ATKINS AND MARK KNOPFLER RECORDED A WHOLE ALBUM TOGETHER AND BARELY SAID A WORD TO EACH OTHER IN THE STUDIO. So I just found out about this and it’s kinda wild. In 1990, Chet Atkins and Mark Knopfler — yeah, the Dire Straits guy — recorded an album together called “Neck and Neck.” Two completely different worlds. One was a 66-year-old country guitar legend from Tennessee. The other was a British rock star who grew up listening to Chet’s records as a kid. Here’s the thing that gets me though. People who were in the studio said these two barely talked between takes. Like, they’d finish a song, Chet would just nod, Mark would nod back, and they’d move on to the next one. No long discussions about arrangement or feel or whatever. They just… played. And the crazy part? The album won a Grammy for Best Country Instrumental Performance. An album made by a British rock guitarist and a guy who learned guitar by copying the radio wrong when he was eleven. Someone once asked Mark about it later. He said something like working with Chet felt like having a conversation without needing words. Which honestly makes sense when you hear tracks like “Poor Boy Blues” — there’s this moment around the second verse where their guitars are basically finishing each other’s sentences. I keep thinking about that. Two guys, forty years apart in age, from totally different backgrounds, and the thing that connected them was the one language neither of them had to learn from a book. That album almost didn’t happen, by the way. The story of how Mark actually got Chet to say yes is a whole other thing…

PATSY CLINE HANDED HER FRIEND A BOX AND SAID “KEEP THIS, I WON’T BE NEEDING IT ANYMORE” — THREE DAYS BEFORE THE PLANE CRASH. You know what’s strange about Patsy Cline’s last few days? She kept giving things away. Not like spring cleaning. Like someone settling accounts. She gave clothes to friends. Handed personal items to people she barely saw anymore. And at a benefit show in Kansas City on March 3, 1963 — two days before the crash — she reportedly told several people backstage that she had a feeling she wouldn’t be around much longer. Her friend and fellow singer Dottie West later said Patsy offered her things and made comments that didn’t make sense at the time. “She was saying goodbye,” West recalled, “and none of us caught it.” Here’s what makes it even harder to shake. Patsy had already survived a near-fatal car accident in 1961. She came back from that with scars across her forehead and performed with a wig for months. Some people who knew her said that accident changed something in her — like she stopped being surprised by the idea that life could just stop. On March 5, she boarded a Piper Comanche with her manager Randy Hughes, Hawkshaw Hawkins, and Cowboy Copas. The plane went down outside Camden, Tennessee. She was 30. What nobody talks about enough is that she was offered a ride home by car that day. Dottie West actually drove and made it back fine. Patsy chose the plane. Some say she was just tired and wanted to get home faster. But the people who watched her give away her things that whole week weren’t so sure. There’s a detail about what Patsy said to her kids the morning she left that most fans have never heard — and it changes the way you read everything else about that week. Patsy Cline could’ve taken the car ride with Dottie West and been home by nightfall — was choosing the plane just about being tired, or had she already stopped trying to outrun what she felt coming?